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Dance, Then, Wherever You May Be!
Nourishing Ideas > Philia in the Community > Art and Citizenship

By Fr. Robert VerEecke, S.J.
Boston College, August 2004


Dance, then, wherever you may be,
I am the Lord of the Dance, said he,
And I'll lead you all, wherever you may be,
And I'll lead you all in the Dance, said he

Every summer for the past six years, I have offered a two-week study program in sacred and Liturgical Dance at Boston College's Institute for Religious Education and Pastoral Ministry. I have had students from all over the world, including Jesuits from Columbia, Haiti, Ireland and Jamaica. All have been interested in exploring the depths of spiritual expression that the body is capable of, using movement and dance.

One of the side effects of asking people to explore and express their spiritual journeys through a non-verbal language is the creation of a community of people who learn to trust each other and share their vulnerability. Many who never imagined they could be free enough to use their bodies to express the interior movement of their souls find a new language that is powerful and poignant. I am always amazed at how this group of people of faith, with varying levels of comfort and expertise in dance and movement, come together as the "body of Christ."

This past summer, however, the experience was more powerful than ever before. Six members of the L'Arche Daybreak community came from Richmond Hill, Ontario to participate in the two-week summer dance program. All are members of "Spirit Movers", a dance company that is an integral part of this L'Arche community. I had encountered the work of "Spirit Movers" in Toronto at Regis College and at the World Youth Day, where their dance company and mine, the Boston Liturgical Dance Ensemble, were dancing for liturgies where Pope John Paul II was presiding. Since many members of L'Arche travel in wheelchairs and move with the help of their assistants, I was wondering how we would approach the integration of a wide variety of movement expressions, including those whose movement range was limited physically but expanded significantly with the use of the wheelchairs.

Any apprehension I had about how we would find a common language of movement expression soon disappeared as I witnessed the loving interaction between Mike and his assistant Steve, and Rebecca and her dance partner Anna. In addition to the forward, backward and turning movement of the wheelchairs, these two couples partnered beautifully as their bodies created shape and form together. Neither Mike nor Rebecca is able to communicate with verbal language, but they speak volumes with their facial expressions and their limited physical movement range. Over and over again I was humbled to see the ways in which the slightest movement and gesture could express the depth of the emotion living in the depths of these individuals.

A moment that was remarkably powerful and touching happened in our "God improvisations." In this exercise I ask the participants to think about some dimension of their personal spiritual journey and express it through movement alone. Rebecca and her mother, Susan, shared their moment together. In this God improvisation, Susan would alternate between shrouding her daughter Rebecca, in a gesture at once protecting and hiding her from the "outside" world  a world that could misunderstand and judge her by what it "saw" from an outward appearance. Each shrouding moved Rebecca farther from us, as Susan moved her in her wheelchair, creating more and more distance and coming to a "safer" place. Then in a moment of Revelation, the shrouding ended; the movement away changed its course. Susan, by the grace of God, had come to understand that Rebecca was meant to be "light" for the world. Rebecca was a gift not only to Susan and her family, but also to anyone who was willing to share her smile and join in her dance.

One of the dances that we used as an opening for a weekday Eucharist is the original "Shaker Hymn" that many know as the Lord of the Dance. In this hymn, we are reminded, "When true simplicity is gained, to bow and to bend we will not be ashamed. To turn, turn will be our delight, till in turning, turning we come round right."

During those two weeks with Rebecca and Mike, with all our turning and bowing and bending, I was reminded of what extraordinary gifts people have and are. It is often from those from whom we expect so little, that we receive so much! Rebecca and Mike, with their caring assistants, reminded me that we are all invited to follow the lead of the one who is the "Lord of the Dance".



Robert VerEecke S.J. is pastor of St. Ignatius Church, Chestnut Hill, MA, and Jesuit Artist-in-Residence at Boston College.
Date / Author
Subject Add Your Comment
May 25, 2006
11:07 AM
Rebecca's story and dance is available on a DVD
Tom Cain There is a wonderful DVD entitled "Revel In The Light -The Story of Rebecca Beayni" in which your subscribers could see Rebecca's inspiring dance and beautiful smile! The DVD is exhilarating. I saw it last fall when Peter Dill was here. Peter has worked with Rebecca and her mom Susan for an extended period. The DVD can be purchsed from Susan Beayni email beayni@sympatico.ca or by sending cheque for $25+$5shipping toThe Ubuntu Initiative; 23 Beverly Glen Blvd.,Scarborough, Ontario, M1W 1V7 Warm regards Tom

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